
Maurice El Médioni (מוריס אל מדיוני) est un interprète et un pianiste de chaâbi algérois et une grande figure
de la musique judéo-arabe. Originaire d’une famille de musiciens d’un quartier juif d'Oran en Algérie, il demeure l’un des plus fidèle interprète et représentant de la musique arabo-andalouse
et sépharade et l'un des rares artistes vivant qui à joué avec des artistes comme Lili Labassi, Line Monty, Lili Boniche,
Sami El Maghribi, Raymond Leyris ou encore
Reinette l’Oranaise. En 2006, l'inventeur du style "pianoriental" publie son quatrième album, enregistré à New York avec
le groupe cubain de Roberto Rodriguez.
Biographie et évolution musicale
Dans sa ville natale dans les années 50, il commence par façonner progressivement les nouveaux sons du raï.
En 1961, Maurice El Médioni quitte l’Algérie pour émigrer en Israël où il s'y séjournera quelques temps avant de s’installer en France, à Paris puis à Marseille où il vit et travaille toujours.
Amateur de jazz, Maurice El Médioni s'intéressera également au boogie woogie et à la musique latine et devient l’inventeur du style pianoriental (fusion de jazz et de rumba transposant avec aisance le quart de ton du oud arabe sur le clavier occidental, pour le mâtiner de jazz, de boogie-woogie et de tempos latinos. On le voit régulièrement accompagnant Fouad Didi dans des concerts de musique arabo-andalouse.
Maurice El Médioni grew up in Algeria, in the Mediterranean port of Oran where he lived with his family in the
Jewish quarters in the 1930s. Médioni´s life took a drastic turn when his brother purchased an old piano at the flea market and brought it home. Within days, Maurice, nine years old, taught
himself, without the guidance of a teacher, to play popular French songs he had heard on the radio. As the influences in his life changed so did his musical style. When Algeria was liberated from
the French in 1942, Maurice was playing the piano for the American troops at the US Forces Red Cross Bar in Oran. With Maurice´s permission, the soldiers used his piano to play the popular jazz
and boogie-woogie numbers. By observing the dancing fingers of the soldiers he quickly learned to play these musical styles and incorporated them into his unique style. To meet the requests of
the soldiers, he picked up boogie-woogie and Latino numbers. Later, befriending three Rai singers from Algeria, he was brought into the Andalous music culture, where he introduced the piano into
the Rai music. Maurice gained popularity in his area and soon became the respected pianist for "l´Opéra" in Oran, joining talented musicians from many different parts of North Africa as well as
other Jewish artists like Lillie Boniche and Lili Labassi. In 1962, after 8 years of civil war, Algeria gained independence from France and most Algerian Jews, including Maurice and his family,
were forced into exile: "Life was good in Algeria, but when we left, we had to live hand to mouth. It's very tough to be driven from your country when you don't want to leave. It's not like being
an emigrant searching for a better life." After his many years at the top of the music scene in his homeland, Maurice adapted quickly and again reached stardom in Paris, where he remained for
many years. Later, the unique musical style of Maurice was recognized internationally and his career skyrocketed as demand grew. Today, at the ripe age of 77, he resides in Marseilles. He still
charms the ears of onlookers, using his left hand to form the eclectic sounds of Boogie, Jazz and Cuban rhythms and his right hand shaping a unique Arabic style.
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